A modern Cinderella story set in New York City's Chinatown, Year of the Fish is a classic tale retold through the eyes of a young woman struggling to find a new life in the United States. Director David Kaplan has gathered an all-star cast, filmed them in live action, and then applied an algorithmic painting technology to achieve the rotoscoped animation. The result? Year of the Fish pops from the screen like a painting come to life. This is the level of originality we've come to expect from Kaplan--Sundance audiences may remember him for short films of fairy tales reconceived in a unique style all his own.Although Year of the Fish is best described as an adult fairy tale, make no mistake: this story is a deep one. It tackles the realities of immigration and the frighteningly common occurrence of young people who, desperate for a better life, fall prey to an existence as indentured servants. This dark story becomes instantly palatable when wrapped in Kaplan's lovely package--a tribute to his storytelling talent. Year of the Fish is beautiful to witness and as ironically mysterious as the American dream itself.--© Sundance Film Festival

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《奥本海默》可以说是是诺兰迄今最好的作品。最好之处在，未丢掉其“作者性”（艺术家风格）的同时，对一个重大历史主题——核战争——做了深层次地追问。而后者，又是建立在前者之上的；更关键的在于，这种建立，是无痕的、隐于影像之中的。人性奥本海默是一个矛盾的人物。他自私，刚愎自用，带有一切天才的缺陷。正如将军莱斯利（马特·达蒙饰）来找他洽谈曼哈顿计划领导一职时，所指出的那些奚落他的评价——奥本海默有诸多的性格缺陷。这样的人物是“典型”的。笔者观影的时候联想到《社交网络》《模

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原文发表在知乎，是我年以匿名写的?今年不小心看到，已经有k＋点赞，有点小吃惊。这部剧是有智商的剧。它在肯定武则天作为女皇的不简单同时也没一味地慕强似的讴歌她，而是展现了反对者上官仪，太子弘等人的风骨和高尚，这就比同类宫廷剧格局高出太多了。大明宫词有智商有格调的地方体现在，它的人文主义。它几乎给了所有人说话的机会，阴暗的高尚的，成功的失败的，贵族和莽夫，冠冕堂皇的，和痛苦复仇的……甚至这部剧都不是要只表现武则天母女，而是表现郑重的嫁接在盛唐风流上浓厚的人文主义

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该剧是一部唐朝背景的悬疑烧脑剧，通过对一起为缓解旱灾而组织的祈雨祭祀案件的精湛剖析，展现了唐朝时期复杂的政治斗争、社会风貌以及人性的丑恶。这部剧集不仅让观众感受到了唐朝的繁荣昌盛，更深刻地揭示了当时社会的黑暗面。

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除了黑色三叉戟之外，这部电影的演员阵容也是一大亮点。杰森·莫玛和帕特里克·威尔森的出色表演为电影增添了很多色彩，他们之间的互动和配合也是这部电影的一个亮点。